dozzy and neels exciting new label spazio disponibile serves up a third release this summer, with the latest one coming from italian marco shuttle. the techno stylist and eerie boss serves up three tracks that continue to mark out his heady and hypnotic aesthetic.

4 heady techno explorations from toronto producer aberdeen.

elgian in origin, igor vicente and dka join forces to create two monster tracks for their haus boo ep on hot creations. championed by jamie jones, lee foss and richy ahmed it arrives hot on the heels of hot creations’s paradise events series announcement for ibiza 2016, this is music made for those heady nights on the dc10 terrace. on the a-side is haus boo which the guys created after being inspired by the all time classic the house master boyz and the rude boy of house house nation . taking the release into a much darker realm is shady with a seriously addictive beat, endless high-hats and relentless snares. infatuated with music from a young age, igor vicente founded the belgian wildfamily parties in which jamie jones, seth troxler, dinky and matthew styles among others have all played. some years later he formed one half of ultrasone, and has released on get physical, mobilee and hot creations multiple times. these days you can catch him playing at one of his two residencies in belgium, cafe d anvers and fuse, and founding the label state of flow. dka has his roots firmly placed in the house music scene and has taken his sounds all over europe, whilst releasing on get physical music, mobilee records and play label records to name just a few.

the french electronic music scene is having quite a renaissance of late and toulouse based zendid s debut ep for infuse, the understellite ep is indicative of the renaissance currently afoot.. kicking things off, second way is a razor sharp blend of groove led house music with a main room sensibility whilst title track understellite is quirkier in its approach, its anarchic b-line snaking throughout the track to lend a tripped out edge. disco dance rounds things off with a heady slice of bottom heavy phunk.

since his last full-length, ode, tin man, aka johannes auvinen, has taken a collaborative approach to acid, bringing his 303 box into studio scenarios with cassegrain, john tejada, aaaa and gunnar haslam in order to explore new territory. on acid test 11, auvinens arrived on a seamless pairing with manchester production duo jozef k and winters son. on the title track, tin mans acrobatic 303 no longer has to do the melodic heavy lifting-the mancunians provide a sturdy yet plaintive piano base that allows a duet of acid lines to cut through the heady atmosphere. interdimensional transmissions boss erika toughens things up considerably with her fates unknown remix, stripping things back to a creepy, jacking core. pendle by night underlines the ad hoc trios propensity for widescreen heft. the tracks epic, emotional tone feels like a natural product of the collaboration

broken body is the follow-up to 2015s do it again single. this two-stepping banger is dripping with 90s retrofuturist sensualism, a heady and visceral latin jazz-tinged house track with a back beat guaranteed to get the dancefloor jumping. alister s trademark synth flourishes mingle with the vocals of returning collaborator rahan boxley, creeping into the mix with that repeating hook of jump on in, slim. when the beats are this infectious and the melodies are this strong, it s hard not to obey. on the flip side, you ll find the deep vibes of -ago-, an analog electronic freight train with a touch of acid mysticism, as well as -endgame-, an ethereal creeper replete with rolling arpeggios and drum machines. alister johnson is a staple of the toronto dj community and has commanded decks as far afield as the us, the eu, and south africa. his diverse production c.v. includes work for dinamo azari as well as the polaris-nominated zaki ibrahim. keep your ears on alister johnson, this is just the tip of the iceberg.

one of the many delsin off shoots welcomes fast rising shlomo to the fray for a new ep featuring three singular originals and one excellent remix from artekfakt. the taapion records boss has previously released on wolfskuil and bright sounds and here serves up some truly sumptuous space techno. the artefakt remix is actually a collage of all three shlomo originals and is a suspenseful, hypnotic and sublime techno roller that carries you tiny another dimension. this is perfectly heady music for cerebral dance floors.

continuing a sublime run of form for the label, the fourth outing on the lopasura imprint, is yet another classy trio of heady, analogue machine laden masterpieces. opening up with “out of the fog’, the familiar acidic arpeggio and crisp hits we’ve grown to love from benedikt frey, dance unwittingly along before being opened up by long, cinematic pads drenching the track with an emotion and grandeur so synonymous with his music. complimenting the a side, the looming intent ‘wolves’ adopts from the off evolves quickly into a driving, hypnotic and beautifully crafted piece that’s a true heads down, eyes-shut techno battle weapon. rounding off the ep on the b side is the exceptional ‘lights’. an unsettling, caliginous whir of industrial drones balances the tribal, percussive elements almost depicting a lost ship crashing over the swells of the ocean as it clings on to futile hope of finding the lighthouse. it meanders and threatens before an incredible synth hook ebbs in and takes over momentarily, before calmly simmering as the storm passes. never before has love pain sunshine and rain been more perfectly encompassed.

limited to 300. a fourth vinyl release for london label bleed, and a first full ep from new jersey based dj spider, who runs plan b and sublevel sounds, and has also released on the trilogy tapes, killekill and nord, occasionally in collaboration with phil moffa, marshalito and franklin de costa. spider also featured on the most recent bleed release, providing a remix for volte-face s all grown up ep. this release, burning museums , is said to -represent the loss of knowledge of mankind by the modern scientists who are destroying ancient texts in their attempt to erase history-. a tough, direct yet heady ep, burning museums features 4 spider originals, 3 primed for techno floors, and 1 ambient excursion. there s also a remix by bleed boss, volte-face. eatly support from svreca, dj nobu, daniel avery, tripeo and zadig.

sensoramic is a new label on a mission of sensory expansion. for the debut release the uk based imprint drafts new producer karousel to deliver two cuts of machine driven house. s.a.m., the danish oscillat/delaphine favourite appears on the remix fresh from delivering a slew of killer originals and remixes as well as his most recent mandar collaboration with lazare hoche and malin genie. on this reshape, he is at his most sublime best delivering an emotive retake on the original that stretches heady organs and melodies alongside a beat that refuses to let up.

born in an x1/9 and raised on a diet of b-movies, cerrone and fettuccine, french dj and producer alan dente is the latest addition to the esteemed bordello a parigi roster. a full time member of parisian party crew and digging experts les yeux orange, dente has spent the last few years tearing up the banlieues and blogosphere with a heady mix of disco, boogie, italo and proto-house. after a life changing contribution to manctalo institution red laser records, dente arrives at the bordello in style with his dancefloor haute couture.

new york house legend david morales arrives on radio slave’s rekids for a vinyl only release. homage to his formative years at the influential club of the same name, morales’ red zone project is the moniker which the def mix veteran produced many of his seminal remixes under, from the thompson twins to shawn christopher, clive griffin to overweight pooch and propaganda to the pet shop boys. rekindling the pseudonym for a vinyl only appearance on matt edwards’ renowned imprint, the release initiates with a robust dancefloor workout titled ‘don’t go’ that’s laced with heady melodies and energetic hats. meanwhile, ‘tribal funk’ is a more rhythmic cut featuring thudding drums, deep chords and compelling vocal samples.

jäfar make a rapid return to the label and are back to grace the a side of fragil 019, while one half of the duo (elliot sindall) also pairs up with constantin nakov as seura on the flip. black mamba recalls certain aspects of jäfar s previous work on the label: the broken drum line, the subtle vocal samples and the global hypnotic aspect of the music. yet it is also radically different from marzsia. black mamba is a subtle but direct club track, aiming to get the dancers down through its heavy groove. the kick drum and low toms are strongly suggesting leg movement, joining forces with the snares and hats which call upon some serious head nodding.on the b side, white chapel is another broken beat club piece, but this time feels crafted for the afterhours. the groove is lighter and the heady feel is strong, closing the dancer s eyes and inviting them to drift through the music. once again, fragil comes up with original, well produced and highly danceable content, highlighting unsung talents for every versatile dj out there.

stefan ringer aka rekchampa says he makes music that’s danceable, intelligent, and soulful, and we couldn’t agree more. this 4 track ep of soulful house from the star of atlanta’s underground scene has everything for the discerning dj (bangers bounce #3 and can’t stop) and the home listener (heady deep cuts feeling it and the come down) alike. the release coincides with 2mr’s first in a series of semi-regular parties at black flamingo on the 27th, with ringer, mike simonetti and justin strauss.

rekids latest signing peggy gou serves up two subterranean slices of quality with l.i.e.s. producer terekke providing a remix. the south korean artist, who was raised in the uk and now resides in berlin, kick started 2016 for rekids with her art of war release. she now returns to radio slaves imprint with a sequel. jen high boasts a heady bassline whilst quivering synths make way for serene key melodies. ‘when round, they go then deploys robust kicks as ebbing pads join acid licks, before germanys terekke provides a floating rendition comprised of soaring atmospherics and jazzy aesthetics.

originally released via ascetic house in 2015, vereker’s grace tape owes much to the canon of vintage anti-music, exploring catharsis via a transgression of traditional compositional & technical values. working with the same thematic concerns of much of the more leftfield additions to the avian catalogue - in it’s more subdued moments, anxiety & dissafection, in it’s more high energy - pure hysteria - the recording pairs basic synthesis with warped vocals in the same manner as industrial progenitors throbbing gristle and steven stapleton (nurse with wound).
the reduced palette & crushed production aesthetic creates a powerful immediacy, with a twisted musicality being drawn - at times, kicking and screaming, out of the depths of the mix. like much of vereker’s best work on labels like lies & berceuse heroique, elements warp & twist uncomfortably within the tight confines of a reduced dynamic spectrum - creating a dark, heady energy. scetic house, the predominantly cassette only label, has seen appearances from la’s silent servant, northern electronics’ varg & avian’s own shifted - under his covered in sand alias.

cin cin, a series of split 12inches from fort romeau (ghostly int. / running back / robert johnson) and warms ali tillett. each instalment bringing together friends old and new in a spirit of collaboration and togetherness. cin cin is back for round two, this time calling up michigan superstar todd osborn who delivers a 1.2 knockout punch with heavyweight acid killers we gonna jak and on the t. on the flip londoner laurence guy gives us an anglo saxon take on that heady deepdiscohouse sound thats guaranteed to warm the body and soothe the mind in these last dark days of winter.

three cuts of heady, cerebral bliss guaranteed to push any dancefloor a little further out into the interstellar, in russell s hands, clay wilson s e4 becomes a spaced-out stepper s delight. his rework of romans coptos lets the acidic undertones of the original run free while snappy percussion holds focus. and while were not one to pick favorites, russells remix of zemi17s rangda, stripped to its bare essentials, is almost a purer representation of the original than the original itself, designed to lift a willing crowd into a trance state

elephant moon continues its steady schedule of releases with a brand new ep from label owner john dimas and danish talent samuel andre madsen (aka s.a.m). on this fresh new release we re treated to two tracks from monsieur dimas and two from s.a.m. to open we have a quirky little space jam called moon patrol by john dimas. it has chunky percussion at its foundation with off-key chimes and cosmic pads giving it an interstellar feel. samuel s reshaped for moonwalk mix puts john s mix on a diet, making it far lighter and focusing on the ethereal elements turning it into a sweet galactic ditty. on the flip we get a sombre bossa nova ride from s.a.m., all jazzy with a grooving bassline and galloping beats. its a cool, laid back riddim from the dane and were sure youll love it. john dimas gives the track his own monday mix, bringing the tempo down even more and crafting a delicate heady rework.

a groove-led production, it relies on a hefty bassline together with crisp percussion and a heady set of pads that will transport you to a higher plain. new york legend jovonn, a previous contributor to the label and an inspiration to apollonia, also lends his talents to reconfiguring ‘sona’. his version works around that gritty, jazz-infused sound

maeve is the record label run by three close friends, mano le tough, the drifter and baikal. for maeve’s eighth outing it has enlisted the talents of long time friend ed davenport. the record grew from a chance hearing of some new material at eds studio one night and after a brief discussion it was decided that the tracks would find a fitting home at maeve. although recently more known for his harder techno releases under the moniker inland, silver walks is some what a return to eds roots. slower, emotive, more contemplative tracks, recorded over a pretty short period of focused studio time. silver walks is a synth-led jam. the arpeggiator holds pride of place as the centre of the tune with filter tweaks complementing its progression. kuromaku has a tougher attitude - heady and cosmic with a deep kick. it means black curtain in japanese.

decisions is proud to announce its second release: empty gallery ep by waterhouse, a melbourne based producer, dj and vocalist. the ep spans 3 years of waterhouse productions (2013-2015), charting a sonic emergence suffused with spatial, textural and emotional complexity. the ep opens with ‘breathless’, a heady rush of ambience, shimmering cymbals and field recorded textures. ‘a little sheep’ follows, progressively immersing the listener in accumulating layers of vocal melodies. on ‘3415’ rapturous choral textures encircle delayed claps and a reverb-drenched kick drum to form the most urgently rhythmic cut on the record. side a ends with title track ‘empty gallery’, in which an intricate constellation of strings, pads, rumbling sub frequencies and brusquely dry percussion meet lyrics confronting life after loss.

embracing disco, techno and house music in all its declinations, what ever not introduces now british artist reformed society, project started by house producer harsh puri as a consequence of djing and collecting records since 1998, debuting with a four track old school house ep, optimistic chaos coherently fitting with the italian imprint philosophy. ‘hope’ has that solar, yet dusty groove folding distorted rhythmics and joyful pads around an insistent lead dubby pattern and shimmering synths. ‘optimistic chaos’ is again smooth but lightly gloomy, until a pause intoxicates one’s body and mind filling them with inebriating ambients. ‘incognito’ delivers a deep driving atmosphere here, featuring dogged, crisp drums together with minimalist, yet momentary cosmic motives. for the closing cut ‘detracid’, the artist cooks up a brew of acid lines with the usual charming synths and vivid hats, building a light sense of tension fired up by the warm, heady sound scapes. each track is similar to the last, stiffening the musical timbre of the label, confirming the producer’s strong artistic identity as a consequence.

nice price deal !!! based on the worldwide success of max richters groundbreaking eight-hour work sleep, his personal lullaby for a breathless world - and the one-hour extraction from sleep, a series of remixes produced by a selection of well-known musicians and young artists.
the legendary scottish post-rock band mogwai, known for its special feel when remix of works by other artists, transforms max richter dreamy path 5 in a darkly throbbing track, marked by snare drum and complemented by haunting guitar soundscapes and cool, arpeggiated synthesizer, in remix electronic artist clark (warp records) is from max richter path 5 a sequence of three different, highly insistent musical scenes that send the listener on a heady trip - in clarks words by danny elfman on popol vuh to slint, merged in a planet of music.
the 180 gram vinyl ep includes a download code.

heady and spaced out seductive techno by j.c. aka jose cabrera who made a storming debut with his fine album on fred ps soul people music some time ago and released on labels such as tresor, deeply rooted, symbolism. now he is launching his own new label, cabrera. starting with his personal project, but with releases in the pipeline by tadeo and population one. this 1st release that includes a strong remix by jonas kopp will be the starting point of an adventurous fresh new techno label that is promissing to reach for the dark corners of the dancefloors! a rich and varied ep that launches the new cabrera label in a great manner

french veteran dj w!ld delivers the third release on uk imprint vessel records, which features two originals plus remixes from argentinean producer franco cinelli and label founder james barnsley. plus loin is a thudding piece of robust house featuring heady toms, suspenseful drum rolls and spectral keys whilst whats up men is a more rhythmic cut containing a subtle bassline and echoing synths. on the flip, leeds producer james barnsley s version of what s up men alters the original into a peaktime-focused number with crunchy snares, until franco cinelli concludes the package with an animated rendition of plus loin.

italian trio agents of time make their ellum debut with a weighty, two track release. magma shares remnants of label head maceo plexs own formidable style, with compelling synths, punchy claps and a rumbling bassline. obsidian is finally seeing a release after causing heat from fur coat’s feature in their bbc essential mix a few months ago. heady, powerful, stirring, expertly crafted, adjectives that are regularly used for ellum releases and agents of time have confidently followed their predecessor’s footsteps. agents of time are andrea di ceglie, fedele ladisa and luigi tutolo. making music together since july 2013, they have clocked up an album on stem records and the massive polina ep on correspondent. their supporters include dixon, agoria and tiga, and their sound has been brought to over 20 countries through a live platform with analogic instruments.

lady blacktronika shows two totally different sides to her character with her return to bass culture via a potent ep full of deliciously dark, bass-heavy productions placed side by side with more soulful explorations of the house sound. following the ‘all in vain’ ep, which landed earlier this year, lady blacktronika comes correct once again with a collection of four of the finest quality cuts. our introduction to the ep is a thorough dip in the deep end of tech house, with the marauding ‘it rains’. full of darkness, the venomous track stomps along with a powerful, darkside bassline and razor-sharp percussion. high-pitched keys add to the malevolent flavour of this raw cut. after that, we get a more measured, yet mysterious and unsettling slice of minimal funk. ‘no good’ is a hypnotic trip inside lady blacktronika’s murky world with snarling synth lines, clever percussion, eerie fx and a naughty little b-line. on the flip we have retro-inspired ‘call my name’, with a very old school feel as the 808 gets a proper workout in tandem with a familiar female spoken-word vocal layered over the top. this is bound to send the dance floor into uproar with its killer vocal sample. finally ‘set out your luv’ gives the ep a heady ending, light airy pads are placed alongside a grooving bassline, soulful vocals, diamond-cut beats and squelchy effects to create a lush, dreamy soundscape which will get those hips moving….

third release on swap white ltd (swltd) presenting a various 4-tracker echoing some mysterious deep vibes with each artist (and a collaboration between from karaoke to stardom & servietzki aka -perceiverreceiver-) creating his own dive trying to capture heady grooves in multiple undertow currents.

vent is happy to deliver yet another take on stripped back essential techno. stephanie sykes has had the opportunity to entertain many dancefloors since her last ep on vent, and we are astonished with her artistic progression. the sonic imagery is smoky and bass heavy, perfect for those heady dancefloor experiences. and as if the package isn’t perfect already, cassegrain delivers an absolute killer remix with raw, truly minimalistic techno.

the forth inline on giant is again from grant dell this time grant take us on a deep dive into the realms of a trippy moog lead madness, on – the way we feel – filtered out dub stabs evolve around a timothy leary inspired spoken word – dark heady madness.

debut release represents raw, emotive expressions that work both on large systems or on a solitary midnight drive. with tinges of acid, dub and classic gear sounds, the sweaty fingers ep perfectly frames the artists and our labels musical interpretations. the remix by bostonian john barera provides a super heady 909 stomper while keeping the atmospheric elements of the original.

shawn o’ sullivan marks return to shifteds avian imprint with a four track ep under his 400ppm alias. following on from 2013s non nocere, the new yorker pairs trademark stripped back drum programming with heady, warping drones and frenetic sequencing. even at full throttle, careful attention to detail lends the productions a degree of musicality oft missing from contemporary techno. subtle nods to idm feature, and references to o sullivans work with katie o sullivan as further reductions remain in the form of spacious verb and fluid atmospherics, but the focus is undeniably on the dance floor. printed inner and outer sleeve... black vinyl.

dont touch my sister is romain azzaros rouge mécanique début album. cinematic hazy instrumentals and a heady mix of post-punk, italo disco, ambient and noise shine through azzaros dedication to his signature telecaster slide-guitar, bringing acoustic life to electronica. citing the visual realm as a strong influence on his music, rouge mécaniques releases are often accompanied by short films and hand picked design. the prelude video for dont touch my sister was born of a collaboration between romain azzaro and the film maker louis vignat, as inspired by the cover artwork of les beaux arts de paris artist jeanne briand.

theres a reason kai alces name consistently comes up when the topic is exceptional house music. the ndatl label boss remix of the dangerfeel newbies * what am i here for* takes the soulful number to heights beyond the originals already heady groove. j piccola sings with a perspective thats like bopping through the city, skyscrapers above giving dimension to the groundwork so necessary for love and progression. his vocals match the pace of propelling keyboards by chris irvin and delvynw. saxophone by quinn mason adds an element that in alces distinctive hands becomes a part of all things classic house: deep, melodic, and ultimately, free. thats particularly true of the kzr’s late night mix. it harkens the wee hours with a shuffle, leading keys and pinpoint bass. the piano instrumental puts keys front and center, with a few jazzy chords that recall the hippest, dopest brunch you’ve ever attended. the entire project is very much atlanta-grown, representing its strong, interconnected music and art scene. all the key contributors are based in the city, from alce and the dangerfeel newbies, to acclaimed visual artist radcliffe bailey, who created the album art, and tastemaking graphic artist steve deniro, who designed the album layout. after small promo run in japan the gem gets a full worldwide release with alternate mixes and kai alcés bonus distinctive remix of * swingin with the new jack* previously unavailable

as their passion for electronic beats knows no limit, they have initiated themselves in the wonders of music production, creating an impressive collection of tracks faithful to the genre, some of which charted real high along the way in the digital industry. after several years of committed effort, which involved studies in their chosen field of music, long sessions in the studio and many sleepless nights trying to integrate their own unique sounds into the underground techno music scene and propose a heady mix between the soul of techno and the irreverent expression of romanian underground musicians.

serb steps up and delivers four heady, scrunched up house excursions. moody pads and electrified fx stretch and bang over squelching drums and a booming low end. an eclectic ep spanning thick and thin, crunching club music.

new years deal - following hot on the heels of tobys brilliant long player rising son we bring you a couple of our favorite tracks remixed by two of our favorite producers, namely i:cube and session victim. the versatile veteran nicolas chaix kicks things off in his own unique style on his interpretation of love affair with widescreen pads and subterranean clanks and growls setting things up for a heady house journey. session victim do their thing on slo flava, jacking up the tempo and turning in a bouncing live jam with a soulful edge. completing this ep we also have the two original versions of love affair and slo flava in all their glory.

professor inc returns to boe with a four track ep of low slung heady house vibes, thumping drums and searing soundscapes. punchy 4/4 rhythms and throaty chords of crazy grace the aside where neat percussion sections break up dubby sweeps and deft ambient samples. the rolling loose beats and haunting synths movements of undergound sit nicely inside and offer a pumping club cut. the glorious strings of life after asylum play nicely with vox synths, weird samples and some weighty low end. rounding out the ep, put up the vibe skips and swings with fizzy stabs, modulated percussions and warm grooving bass.

outcast oddity deliver their first 12 inch. a hard hitting various artists ep channeling blown out techno, off the wall acid bangers and heady, ethereal electro. a complete melting pot of styles all coming together to form one, formidable debut.

enemy returns with another remix package including efforts from some of our favorite producers at the moment. this collective includes the crafty and credible sound of vril, the legendary steve bicknell, and house musics latest tastemakers mr. tophat and art alfie. getting the remix treatment this time around is dustin zahns 2014 comeback release, >new day rising<. monsieur tophat and his esteemed colleague art alfie surprised us by turning in a very dark and stompy techno rendition of >lost in rapture<. it goes without saying that this one is definitely geared towards the time of the night when things get a little weird. vril follows up with an excellent take on >new day rising< by keeping the tension for nearly three minutes before the reese-like bassline drops in and causes the track to evolve into a groove that demands instant attention. steve bicknell rounds out the package with the peak-time hammer! its relentless, heady, and undoubtedly bicknell! this one has >rave< written all over it.

death drive is a peak-time electronic club track that features eddie peake, prem sahib and george henry longly (anal house meltdown) on both production and vocals, and co-produced by long time collaborator tim goalen, inspired by and invoking the heady dance floors of their anal house meltdown parties, the pounding excitement of long nights at berghain, the legendary berlin club, and intense but fleeting romantic trysts facilitated by clubs and parties. resident berghain dj and producer fiedel has created a remix that will also feature on the release.

nice price deal !!! the brstl label reaches its tenth release with a return to where it started with a 12 inch from october & borai. the label was set up by rhythmic theory, chris farrell and shanti celeste in 2011 from the idle hands record shop as a means to showcase the finest house and techno being produced in their city, bristol. octobers * head 4 phuture* is a nod to the acid pioneers without resorting to revivalism. instead a heady groove is teased out over several minutes, perfect dj gear. october & borai * too high the future* is a heady stoned house groove, from bristols highest producers – with some weighty sub to propel things along.

opener equilibrium two from buitendijk is a perfectly streamlined and serene bit of spaced out, hypnotic techno. gentle synth pulses roam about the airwaves, left and right, up and down, as ethereal pads glow behind. it s heady dancing music, whilst liem s contact is also perfectly aimed at both head and heel. it is full of lick synth pulses that bubble and boil as watery droplets and ticking hits also colour the most subliminal groove. closer this is all you need is a more textured, frazzled cut with frosty lines and rickety pads working you into a trance. rich drums and clever bass filtration add dynamics and tension and so like everything else here the end result is hugely captivating.

flanger ist zurück. nach 10 jahren komponieren und produzieren atom tm und burnt friedman gemeinsam die fünfte lp

ravage are happy to announce that rising dutch talent, daniel te boekhorst aka induction, will take centre stage as the first artist to release on the label with liturgical hymns, the first in our ravage white series. surrounded by music in his youth and having learned piano at an early age, inductions play things were eventually set aside and replaced by his fathers analogue hardware and synthesizers. it was in the blood. his sound? a heady concoction of electronica that ranges from deep, melodic and groovy to more urgent and harder realms. a fresh face and name for the scene but one that is destined for great things, all starting right here with rws001 - liturgical hymns.

uk funk connoisseur duke slammer takes the driving seat on the 303-fueled ‘bangkok skytrain’, with remixes from moscow based simple symmetry and returning artist tony g. inspired by tropical heat, bangkok skytrain utilises 303s, analogue drum machines and mixes in field recordings taken from an excursion to thailand. the result is a heady concoction of warm basslines and humid atmospheres, with a groove reminiscent of early 90’s melodic techno and a cheeky drum track that wouldn’t be out of place on a larry heard record. simple symmetry, the lipski brothers from moscow, slowly rebuild layers of the track like a locomotive building up momentum, and in typical style simple symmetry style finding the perfect vocal sample and pan pipes that help propels you into the foreign lands. before you know it the track is pumping at full chug! tony g’s take goes a bit further afield than the original. a dub rhythm sets the picture in outer-space. hihats stutters like cosmic dust rickashading off the nosecone of the space ship while longing strings take us deep into a distant nebular before the 303 bring the thousands of new galaxies into view. definitely music to listen to in the dark! look out for the secret dancefloor weapon ‘just drums’, an industrial drum machine workout for the freaks!

collectors item! one side high quality black vinyl and other side picture disc. very unique. figure continues its new limited edition hybrid disc x.5 series with a special 2 track offering from johannes heil. >kykeon i< represents an unabashed, smiles-abound floor-filler with one of heil s most joyful and accessible productions to date. a perfect heady cocktail of slamming 90s drums and uplifting housestab melodies, the german producer has really struck a chord here with this future club-classic. the spaced out stepping beats of >kykeon ii< then, sit in welcome contrast to the all out madness of its bigger brother. subtle, intelligent techno formations rise and swell, based around a similar melodic framework to that found in part i. another masterclass from one of the most talented producers in the business.

in 1997 the vienna, austria based live act syncmode was founded and formed by bernd rausch & sascha sadat guscheh. their first 2 eps were self released between 2001–2003 and continue to play an important role in their reclusive production ethic. they continue collaborations with a close knit operation between 24seven and breakin stevens, which has directly triggered them to surpass the common duo and develop into a collective of changing members, which include the latest fixed members christof winkler and sonny blake. this ep is stripped down to a mix of live synthesis and heady synth-sync and machine drum trickery as it touches on past and future electronic music production techniques and solidifies these four tracks on a solid 12&#8243, vinyl. very rare and limited! due-out-in-summer-2015!